Kudancin Netherlands, wanda ya kasance ƙarƙashin mulkin Mutanen Espanya, Roman Katolika, ya taka muhimmiyar rawa wajen yada sassaken Baroque a Arewacin Turai. Contrareformation na Roman Katolika ya bukaci masu zane-zane su kirkiro zane-zane da sassaka a cikin mahallin coci da za su yi magana da jahilai maimakon masu ilimi. Contrareformation ya jaddada wasu batutuwa na koyarwar addini, saboda haka wasu kayan ɗakin coci, irin su masu ikirari sun sami ƙarin mahimmanci. Wadannan abubuwan da suka faru sun haifar da karuwa mai yawa a cikin buƙatun zane-zane na addini a kudancin Netherlands.[17] Muhimmin rawar da ɗan wasan Brussels François Duquesnoy ya taka wanda ya yi aiki a yawancin aikinsa a Rome. Salon Baroque da ya fi dacewa kusa da na Classicism na Bernini ya bazu a Kudancin Netherlands ta hanyar ɗan'uwansa Jerôme Duquesnoy (II) da sauran masu fasaha na Flemish waɗanda suka yi karatu a cikin bitarsa ​​a Roma kamar Rombaut Pauwels da yiwuwar Artus Quellinus the Elder. 18] [19]

Fitaccen mai sassaka shi ne Artus Quellinus dattijo, memba na dangin shahararrun sculptors da masu zane, kuma kani kuma ubangidan wani fitaccen mai zanen Flemish, Artus Quellinus the Younger. An haife shi a Antwerp, ya yi lokaci a Roma inda ya saba da sassaken Baroque na gida da na ɗan uwansa François Duquesnoy. A lokacin da ya koma Antwerp a shekara ta 1640, ya kawo sabon hangen nesa game da rawar mai sassaƙa. Mai sassaƙa ba ya zama ɗan ado ba amma mahaliccin jimlar zane-zane wanda aka maye gurbin abubuwan gine-gine da sassaka. Kayan daki na coci ya zama lokaci don ƙirƙirar manyan abubuwan ƙirƙira, waɗanda aka haɗa cikin cikin cocin.[4] Daga 1650 zuwa gaba, Quellinus ya yi aiki na tsawon shekaru 15 a sabon zauren birnin Amsterdam tare da shugaban gine-ginen Jacob van Campen. Yanzu da ake kira fadar sarauta a kan Dam, wannan aikin gine-gine, musamman kayan ado na marmara da shi da taron bitarsa ​​suka samar, ya zama misali ga sauran gine-gine a Amsterdam. Tawagar masu zane-zanen da Artus ya sa ido a lokacin aikinsa a zauren birnin Amsterdam sun hada da masu zane-zane da yawa, musamman daga Flanders, wadanda za su zama manyan sculptors a kansu kamar dan uwansa Artus Quellinus II, Rombout Verhulst, Bartholomeus Eggers da Gabriël Grupello kuma mai yiwuwa. kuma Grinling Gibbons. Daga baya za su yada kalmar Baroque a cikin Jamhuriyar Holland, Jamus da Ingila.[20][21] Wani muhimmin mawallafi na Flemish Baroque shine Lucas Faydherbe (1617-1697) wanda ya kasance daga Mechelen, cibiyar mahimmanci na biyu na Baroque sculpture a Kudancin Netherlands. Ya yi horo a Antwerp a cikin bitar Rubens kuma ya taka muhimmiyar rawa wajen yada babban sassaken Baroque a Kudancin Netherlands.[22]

Yayin da Kudancin Netherland ya shaida a matsayin raguwa mai zurfi a cikin matakin fitarwa da kuma sunan makarantar zanenta a rabi na biyu na karni na 17, sassaka ya maye gurbin zane-zane a cikin mahimmanci, a karkashin sha'awar gida da na duniya da kuma babban, high- ingantaccen fitarwa na adadin tarurrukan iyali a Antwerp. Musamman, tarurrukan na Quellinus, Jan da Robrecht Colyn de Nole, Jan da Cornelis van Mildert, Hubrecht da Norbert van den Eynde, Peter I, Peter II da Hendrik Frans Verbrugghen, Willem da Willem Ignatius Kerricx, Pieter Scheemaeckers da Lodewijk Willemsens suka samar. sassaka daban-daban da suka hada da kayan daki na coci, abubuwan tunawa da jana'izar da kananan sassa da aka kashe a cikin dazuzzukan hauren giwa da dorewa irin su katako[17]. Yayin da Artus Quellinus dattijo ya wakilci babban Baroque, wani lokaci mai ban sha'awa na Baroque wanda ake kira marigayi Baroque ya fara daga 1660s. A wannan lokaci ayyukan sun ƙara zama wasan kwaikwayo, suna bayyana ta hanyar wakilcin addini da ban sha'awa, kayan ado masu ban sha'awa.